![]() After getting out of hospital, which leads to a great sequence in which a bloodied and bandaged Dylan embraces with his wife in the shower, not Dylan but his wife gets addicted to pills. The subplots revolve around Dylan’s wife, Emily, and neighbours Jim and Amy. ![]() He must also hate continuity because Dylan definitely tells his wife his secret plan before the actual big reveal to her. Breen may have something against novelists because his character hates the fact he writes books for a living. All that is said is that Dylan is not actually working on that book he’s supposed to be writing, he is secretly hacking into the government. Every reference to government secrets and corruption is completely vague. So does this movie have something to say about the state of the US government? No, it doesn’t. ‘I’m going to continue hacking into these government systems, to see what I can find out,’ Dylan says to no-one in particular, and with zero context, ‘about all this national and international corruption I know is going on.’ Fateful Findings is essentially about a man who finds a magical black cube when he was a child and gains magical powers, which he uses to recover quickly from a car accident and hack into the government. Instead of a distraught driver, we get a busty lass in a miniskirt and high heels slowly getting out of the car and walking over.Īs for the story, there’s a lot happening, but very little of it has to do with the main plotline. After the main character Dylan (played by Breen) is hit by a car, we get a shot of the driver getting out of the car. A particularly strange moment occurs early in the film. Full points for Breen for attempting to be cinematic, zero for execution. There are a lot lingering shots, excruciatingly slow pans and shots of feet. Can an entire film be awkward? I think it can. I mean it is, but then there’s more on top of it. ![]() Fateful Findings can be added to this list.įrom the moment the film starts, everything seems off, and it’s not the usual filmmaking incompetence. Plan 9 From Outer Space, The Room, Birdemic and Miami Connection are all great examples auteur-driven disasters. One man who overcame great obstacles, like not having any talent, to make their artistic vision come to fruition. Many of the great bad movies are the brainchild of one man.
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